Matrix. A Review for Printers & Bibliophiles. Issue 9
Book Description
Quarto (278 x 193mm), pp. [2 (blank l.)], [6], 200, [1], [1 (blank)], [2 (blank l.)]. Printed in 12-point Monotype Caslon on Sommerville Laid, HahnemĂźhle and Zerkall papers. Half-tone portrait frontispiece of Robert Gibbings, 19 half-tone and black-and-white plates printed recto-and-verso and one black-and-white plate lettered on recto only. Booklets bound in hors texte. Numerous further colour and black-and-white illustrations in various techniques in the text and tipped in, among which one large colour-printed fold-out broadsheet, one full-page and 6 smaller black-and-white photographs, one engraving after John Tenniel printed by the Rocket Press, one woodblock print from Rongbaozhai Studio, Beijing, and one limited, numbered and signed mezzotint printed by Shirley Jones. Loosely inserted letterpress-printed subscription sheet for Matrix 10. Original boards by The Fine Bindery with illustration after Gibbings on upper board, light-pink dustwrapper printed in black and maroon, upper panel with illustration after Gibbings, mid-pink endpapers, top edges cut, others trimmed. (Dustwrapper spine slightly faded, top edges very lightly spotted.) A very good copy. Provenance: David and Diana Wilson.
Dealer Notes
First edition, one of 820 copies in boards, from an edition of 925. âRobert Gibbings was born a hundred years ago [âŚ], on 23 March 1889 in Cork. This issue of Matrix records some of his many interests and enthusiasmsâ (introduction). The issue includes articles on âGibbings and Gill: Arcady in Berkshireâ (Fiona MacCarthy), âSome Correspondence between Robert Gibbings and Thomas Balstonâ (John Dreyfus), âThe Robert Gibbings Collection in Reading University Libraryâ (Michael Bott), âRobert Gibbings and the University of Readingâ (Bott and Martin Andrews), and âRobert Gibbings and the âWillowââ (Sue Walker and Andrews), and also Gibbingsâs memoir âMy Career in Medicineâ and his illustrated âLetter to Coletteâ. Another centenary celebrated in this issue was that of Stanley Morison, who is commemorated in a survey of his correspondence with Jan van Krimpen by Sebastian Carter, and an article by Brooke Crutchley and David McKitterick.
Articles on printing presses include Sue Walker and Martin Andrewsâs âReminiscences of Albert Cooperâ followed by Cooperâs own âNotes on the Printing Methods of the Golden Cockerel Pressâ, Shirley Jones on work at the Red Hen Press, and Jonathan Stephensonâs fascinating account of the printing at the Rocket Press of the original wood-engravings made by the Dalziel Brothersâ from Sir John Tennielâs illustrations for Lewis Carrollâs Alice books.
In typography, Fiona Ross discusses the transition from metal type to digital letterforms for Indian scripts, while Mark Arman writes on the use of printersâ flowers; his article is accompanied by a four-page demonstration printed in black, red, and blue, covering arabesque and moresque designs, the work of Pierre Simon Fournier, an example of Victorian decoration, and adaptations of historic type decorations in the 1920s and 1930s. Further articles include a focus on Jan Tschichold and Chinese woodblock printing (Charles Antin) and Roderick Caveâs continuation of his series of articles on Christopher Sandford with âThe Making of the âVigil of Venusâ: Letters from John Buckland Wright to Christopher Sandford, 1937-39â.
This copy is from the library of the late David and Diana Wilson. David Wilson was a printer, friend and collaborator of Graham Williams (the founder of the Florin Press), and collector of private press books.
Articles on printing presses include Sue Walker and Martin Andrewsâs âReminiscences of Albert Cooperâ followed by Cooperâs own âNotes on the Printing Methods of the Golden Cockerel Pressâ, Shirley Jones on work at the Red Hen Press, and Jonathan Stephensonâs fascinating account of the printing at the Rocket Press of the original wood-engravings made by the Dalziel Brothersâ from Sir John Tennielâs illustrations for Lewis Carrollâs Alice books.
In typography, Fiona Ross discusses the transition from metal type to digital letterforms for Indian scripts, while Mark Arman writes on the use of printersâ flowers; his article is accompanied by a four-page demonstration printed in black, red, and blue, covering arabesque and moresque designs, the work of Pierre Simon Fournier, an example of Victorian decoration, and adaptations of historic type decorations in the 1920s and 1930s. Further articles include a focus on Jan Tschichold and Chinese woodblock printing (Charles Antin) and Roderick Caveâs continuation of his series of articles on Christopher Sandford with âThe Making of the âVigil of Venusâ: Letters from John Buckland Wright to Christopher Sandford, 1937-39â.
This copy is from the library of the late David and Diana Wilson. David Wilson was a printer, friend and collaborator of Graham Williams (the founder of the Florin Press), and collector of private press books.
Author
RANDLE, John and Rosalind (editors)
Date
1989
Publisher
Andoversford: The Whittington Press
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